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![]() | The film "444" documents an uncompromising record attempt on the Main Sudeten Trail—a monumental route spanning 444 kilometers and an incredible 14,000 meters of elevation gain. Yet, this work by Krzysztof Jagiełka is far more than a mere sports documentary; it is an intimate character study exploring pure passion, iron-willed determination, and the relentless struggle against the prospect of one’s own failure. |
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![]() | The misfortunes of Sofia, the exemplary Madalena and Camila, the troubled holidays of the girls and boys, a few years later that lead to the resolution of some mysteries, are the Countess of Ségur's perfect trilogy about education, social, religious and political power. Desire and its oppression, violence and punishment, in short, the terrible loss combined with inevitable growth. |
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![]() | In a quaint Somali village where herding families coexist, an event disrupts the peace and 9-year-old Barni gets lost after a celebratory wedding, leaving the community in distress. Despite the exhaustive efforts of the village, Barni can’t be found, leaving her older sister Amina and her friends Hirsi and Geedi to set out on a journey to the city to locate her. |
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![]() | Rick's Cafe in Casablanca is a meeting place for many people from Europe who want to flee to America during World War II. Rick Blaine, the owner of the cafe, reunites with Ilsa here, with whom he had an affair in Paris. But a revival of their old feelings is doomed to fail, as Ilsa's husband Victor must be saved from the Nazis. |
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![]() | Two angels watch over Berlin. Damiel (Bruno Ganz) and Cassiel (Otto Sander) are silent observers, accompanying people through the city's rooftops and streets. They hear their thoughts and feelings, without being able to feel them themselves. Ever since Damiel fell in love with the trapeze artist Marion (Solveig Dommartin), he struggles with his fate. He would love to become human. To do this, he would have to become mortal, with all the consequences. A former angel (Peter Falk) advises him to take the plunge into life. |
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![]() | Amid testimonies of pain, an ancestral wisdom emerges, one in which the land is a living being, women are weavers of knowledge, and words are the thread that sustains the existence of the Arhuaco people. From this emerges a profound reflection on leadership, gender, and the responsibility of weaving the thread of life for future generations. This documentary is an act of resistance against the ongoing colonial, religious, and military violence, as well as the structural impunity in Colombia. A lesson in what it means to defend life. |
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![]() | In the town of Entroncamento, violence, misfortune, greed, and loyalty rule the streets. Laura arrives there to rebuild her life, but the irresistible pull of quick money and crime immediately draws her back into a troubled past. For those she meets at this crossroads, every day presents the choice between who they were and who they might become. |
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![]() | In a village in the High Atlas, Said, Brahim, and Omar make music and dream of a different life. Music is their freedom, their identity. When a new imam arrives, the atmosphere slowly begins to change. What was once a close-knit community becomes divided. What once felt natural comes under pressure. The women of the village, including Fadma, work the land with song and joy, but everything shifts when the deeply conservative imam takes hold. Step by step, he sows division by banning what he considers haram, pushing some villagers to deny their Amazigh identity, and driving others toward resistance. |
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![]() | Gupi and her friends enter an abandoned apartment in their building to deliver a cake. By passing through a closet in one of the rooms, they find themselves in a dark, unhappy, and otherworldly dimension. This place is home to the palace of the King Who Does Not Smile, whose sorrow has spread across the entire realm. |
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![]() | Anka, a 40-year-old woman whose seemingly perfect life—complete with a loving husband, great kids, a stable job, and a central apartment—suddenly collapses into absolute chaos. Facing a painful divorce after her husband's infidelity, losing her job, managing her moody children, and dealing with a debt collector threatening her home, Anka realizes she must rebuild her existence from scratch. |
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![]() | Follows a tour guide and a failed actress who lead four female prison inmates on a motivational trekking excursion across the Pollino National Park to see a centuries-old pine tree. The challenging hike turns into a transformative journey about second chances, open wounds, and collective solidarity. |
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![]() | The film follows Imam Habibi, a deeply respected spiritual and community leader in an informal settlement near Dakar, Senegal. He sits under a large mango tree to listen to neighbors and resolve conflicts. When he is diagnosed with Alzheimer's disease, the entire community mobilizes in a collective display of solidarity to care for him. |
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![]() | After fleeing violence at age 15, Pacho spends four decades away from Anserma. Now a photograph sparks a desire to return, and on his journey home —imagined as an interstellar voyage— he searches for what he left behind. The lingering traces of death intertwine with a landscape of rural expressionism, memory, and history |
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![]() | In Bucaramangas stadium, football fan culture is a world dominated by men. For a decade, a collective of women has supported their team from the stands, but traditional fan culture prevents them from officially organizing and flying their own flag. Led by Natalia, they challenge their exclusion, facing harassment and violence. Meanwhile, Natalia fights to keep custody of her daughter, as her political activism threatens her position in family court. This film celebrates sisterhood and explores the limits of womens resilience when the stadium lights go out. |
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![]() | A talk and screening exploring everyday life in Soviet-era Lithuania through rediscovered amateur and home movies. Presented by Meno Avilys, the event will feature a selection of newly digitised Lithuanian amateur and home movies from the 1960s, introduced by Ona Kotryna Dikavičiūtė, curator, semiotician and Artistic Director of Meno Avilys, offering a rare glimpse into everyday life in Soviet-era Vilnius. |
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![]() | Between 1950 and 1960, members of Opus Dei arrived in Colombia to expand their influence in Latin America. In 2021, the complaint against this organization by 43 women for trafficking and exploitation reopened the historical wound. In an exercise of imaginative memory, a group of actresses enters an abandoned school to create a play inspired by those silenced lives. |
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![]() | In Venezuelan Guayana, large gold reserves lie beneath "moriche" palms, attracting multitudes of miners to the territory. A fictional explorer narrates a journey from far-flung mines in the jungle to the banks of the Orinoco River, trying to understand the uncertain fortune of humanity immersed in the anxious quest for treasure. His reflections combine illustrations and photochemical paintings to draw a map of the extraction and commercialization of gold, object and symbol through which he questions where value resides. |
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![]() | Three pivotal moments mark the life of the celebrated Sardinian writer Grazia Deledda: the unexpected arrival of her mother from Nuoro, the hours leading up to the announcement of the world's most prestigious literary prize, and the moments when a doctor searches for the right words to deliver a difficult truth. At its heart lies the human journey of the only Italian woman ever to be awarded the Nobel Prize in Literature. A profound exploration of the relationship between women and writing, speaking directly to contemporary sensibilities. |
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![]() | It was women who closed the gates and launched the Solidarity strike when, on a Saturday in August 1980, workers, satisfied with a raise, stopped their protest and wanted to leave the Gdansk shipyard. If it had not been for the initiative of several determined women, perhaps there would not have been any August 1980 in Polish history. Under martial law, with the men in prisons, the women took on their role. They were not interested neither in joining the union's power structure, nor in particular posts. The most important thing was their work and its results. When communism in Poland came to an end on June 4, 1989, the vast majority of women in Solidarity disappeared from the political stage. They let themselves be forgotten when their colleagues were taking over the most important posts in power in a free Poland. This documentary by Marta Dzido and Piotr Sliwowski reminds us about these forgotten heroines, giving us a new perspective on the last 30 years of Polish history. |
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